ALBUM OF THE WEEK - organ 267, july 24th 2008
KAYO DOT - Blue Lambency Downward (Hydrahead) - This is not fast food. This is a banquet of rare ingredients and exquisite constructions, to be digested over days, not minutes. It's sweet and beautiful and not for the faint-hearted, dripping with opiate languor in one place, curling into unsettling, chilling landscapes (landscapes out of the films of Jan Svankmeyer and Brothers Quay) in another, building slowly slowly to a peak o. Kayo Dot - for all intents the work of composer/multi-instrumentalist Toby Driver - are masters of the slow boil, the long journey. Listen to the samples of their 2003 album Choirs Of The Eye on kayodot.net and you'll hear ranging avant-thrashouts that melt down to whispered poetry, and woozy, heat-hazed songs that gradually work up to thunderous metal denouements like an escalating arms race no-one can remember starting. Kayo Dot are, in common with any truly great creativity, almost impossible to describe.
A good deal of Blue Lambency Downward can be compared to the more abstract passages of A Plague Of Lighthouse Keepers, the legendary twenty-minute masterwork of Van Der Graaf Generator. Kayo Dot are that avant, psychedelic sensibility concentrated and amplified; lusher, more sensual. Their contemporaries are Time Of Orchids, equal in mastery of the romantic and hypercomplex. The lyrics are magnificently obtuse, a fever dream of Dada and Coleridge, both absurd and deliciously tactile, and it all comes together on the opening, title track's swooning, stuttering, richly strange climax. Driver's elegant voice is endlessly listenable, part torch singer, recognisably from a rock background and wrapping effortlessly around some edgy melodics, hinting at middle-eastern quarter-tone singing. Violin (from, sax, clarinets, malletophone, organ and synthesizers take equal parts to the band setup (and the synth throbs and drones are treated as part of the arrangements in a way few if any have succeeded with). Indeed, despite echoing the more psychedelic, stranger moments of Led Zeppelin this is barely a rock band, more a contemporary classical work that can stand up to the high standards of that world, crossing over into classic and avant jazz. Having said that... The Awkward Wind Wheel is the heaviest, most straight-up piece on this album, showing The Mars Volta how it should be done (apparently Kayo Dot are worshipped by contingents of Mars Volta campfollowers) and maybe referencing Voivod a little. Elsewhere, Right Hand Is The One I Want and the opening build of Symmetrical Arizona meander into limpid backwaters, easy to get lost in if you're in a hurrying mood. That's the essence of listening to Kayo Dot, and Driver's previous band Maudlin Of The Well: take the whole journey with them, wherever it goes go with it - the getting there makes the peaks and depths that much sweeter - www.kayodot.net
